Showing posts with label 17th century. Show all posts
Showing posts with label 17th century. Show all posts

Tuesday, November 22, 2011

Book Review: The Last Musketeer, by Stuart Gibbs (Harper Collins, 2011)

Recommended for ages 8-12.

As a Three Musketeers fan since I was twelve years old, I was of course excited to read this new time travel story, in which a 21st century boy travels back to France of the early 17th century, befriending the future musketeers, Athos, Porthos, and Aramis.  Author Stuart Gibbs' fast paced, action-packed tale may well appeal to today's tweens, but I couldn't help but be disappointed in the way he interprets Dumas' classic story for the 21st century.

The story starts off strong, with a terrific first sentence that will grab any young reader:  "Clinging to the prison wall, Greg Rich realized how much he hated time travel."  On a trip to Paris with his family to sell the family's treasured heirlooms to the Louvre, Greg and his parents are pulled through a time warp, winding up in 1615.  When his parents are falsely imprisoned for trying to kill the young Louis XIII, Greg must rescue them--by meeting up with three teenagers like himself, Aramis, a young cleric, Athos, a soldier from the lower social classes, and Porthos, a foppish rich young nobleman who's the life of the party.  Greg himself becomes known as D'Artagnan (in the original a fish-out-of-water himself, as a bumbling, hot-headed young man from the distant province of Gascony.  Mix in a nefarious brother of Cardinal Richelieu (the Cardinal being a central character in Dumas' novel), and a young Milady de Winter (the original villainess in the Three Musketeers), some tropes of fantasy fiction (a stone that grants eternal life), and voila!  a 21st century musketeer rehash.


Gibbs does a good job with the whole fish-out-of-water time travel tropes, with Greg disgusted by the smells of Paris, the privies, and the fleas, among others.  The book of matches in his pocket make the 17th century characters he meet think he's a magician, as does his ability to swim.  There's plenty of action, as Greg and his new-found friends swashbuckle their way to saving Greg's parents.  At the end, they don't go back to the 21st century, which makes me think that Gibbs has a sequel up his sleeve.

While I can't help but appreciate any author that brings Dumas' characters to the attention of 21st century kids, I couldn't get over several changes to the original story that drove me crazy.  First of all, the author keeps referring to Greg being in medieval Paris.  While the streets of Paris might have been similar to the way they were in the Middle Ages, 1615 is definitely not considered the Middle Ages, and I wonder how such a glaring error could have escaped the Harper editors, not to mention the professor of French history who Gibbs thanks in his acknowledgment for vetting the manuscript.  Second, and what bothered me more as a fan of the original novel, which I couldn't help wondering if Gibbs had actually read, he changed many key elements of the musketeers' personalities.  For example, Athos, or the Conte de la Fere in the original, was a member of the nobility, not a common soldier, as Gibbs makes him out to be.  Appearing as a young girl, the character of Milady de Winter doesn't make sense with that name, since she is supposed to have married an English lord after having been married to Athos as a young girl.  Also, it's not very believable that 14-year old boys would be made guards of the king!  Any young person who reads this and goes on to read the original Dumas is going to discoverer the many inconsistencies, which I just don't think were necessary.   And by turning the somewhat ordinary Greg into D'Artagnan, Gibbs eliminated one of the funniest and most memorable characters in the book, the young Gascon around whom the plot unfolds.

In short, while I enjoyed the concept of this story, I believe the execution could have been much better, simply by keeping more to the original outlines of Dumas' immortal characters.  Unfortunately, I don't think that Gibbs' changes to the basic characters really added to the story, but rather detracted from it.  It will be interesting to see if a sequel is in the making.



Has anyone seen the new 3-d Musketeer movie?  I haven't yet, discouraged by the terrible reviews!  My favorite film version is still the Richard Lester version with Michael York, Richard Chamberlain, Faye Dunaway, and others from 1973. Although this version made changes from the original, it was very much in the sprit of the original novel.




Friday, July 8, 2011

Book Review: The Dagger Quick, by Brian Eames (Paula Wiseman Books/Simon & Schuster, 2011)

Recommended for ages 10 and up.

Looking for a rip-roaring adventure story for summer fun, reminiscent of classic pirate yarns like Treasure Island (but without the challenging vocabulary)?  Make sure to keep an eye out for The Dagger Quick, a page-turning tale from debut author (and long-time teacher) Brian Eames.  

Eames spins the story of 12-year old Christopher Quick, known as Kitto, who lives in 17th century Cornwall and is apprenticed to his father to be a cooper, or barrel-maker.  Kitto longs for a life of adventure at sea, but with his club foot, thinks he is doomed to a boring life in his village.


However, Kitto’s circumstances change dramatically when his long-lost uncle, the notorious Caribbean pirate captain William Quick, shows up at their home.  When Kitto’s father is cruelly murdered, Kitto feels he has no option but to go to sea with his uncle, whom he’s just met.  And soon he finds out that his step-mother and little brother have been kidnapped by the evil pirate John Morris, who is following Quick in order to find Quick’s long-hidden booty--not gold in this case, but spices that were just as valuable in the 17th century as precious metals.  On top of all this, there’s a traitor on Captain Quick’s crew.  We discover who it is, but not Kitto.  Eames’ colorful characters are not just black and white; he paints a sympathetic portrait of the “Judas,” since we learn why he desperately needs the bag of silver he collects to betray his comrades.  Will the courageous Kitto be able to survive, let alone rescue his family? There’s a cliff-hanger of an ending, and a sequel clearly on the way.  


This book would make a terrific read-aloud, although the author doesn’t shirk from a realistic portrayal of the harsh conditions for pirates and sailors in general.  Quick’s ship makes a stop in Cape Verde, an island off the coast of Africa, described as a “depot for human cargo, where people are traded for gold.”  One of Kitto’s mates has worked in a slave ship, and describes in vivid detail the horrible smells, sounds, and sights of a slaver.  The yarn is full of colorful characters, including not a parrot, but a mischievous monkey who lives aboard the ship.  My personal favorite is the hideous Captain Morris, with his horribly disfigured face--two scars which creep up from either side of his mouth “form a leering grin,” and he also sports what’s left of a nose--two symmetrical ovals, “like those of a skull,” a nose that “leaks fluid constantly.”   


This is a great pick for reluctant readers or anyone looking for a page-turning adventure story.  My only beef with the book is the ending, which while it leaves the reader at a logical stopping point, also seems to leave us right in the middle of the story.  


Back matter includes a brief pirate glossary.  


For those looking for another great sea story, check out L. E. Meyer’s Bloody Jack series, featuring one of my favorite heroines in children’s/YA lit, the indomitable Jacky Faber. 

Sunday, June 5, 2011

Book Review: Caleb's Crossing, by Geraldine Brooks (Viking, 2011) (48 HR Book Challenge)

Recommended for ages 14 - Adult.

Geraldine Brooks, author of the acclaimed historical fiction best-sellers March, People of the Book, and Year of Wonder transports her readers to 17th century New England in her just released new novel, Caleb's Crossing.  Brooks was inspired by the life of Caleb Cheeshahteaumauk, a member of the Wompanoag tribe in Martha's Vineyard, who became the first Native American to graduate from Harvard College in 1665.  Almost nothing is known of this young man, but Brooks uses these bare facts to construct a spellbinding story of the early days of Puritan America. 

Our main character and narrator is actually not Caleb, but rather Bethia Mayfield, the daughter of the minister in the tiny Puritan settlement of Great Harbor on the island we now call Martha's Vineyard.  Bertha is a fictional character, but her family is based on the real-life Mayhew family who originally settled the island.  Bethia's father ministers to the Native population, and his first convert helps him learn the Wampanoag language, which the very bright Bethia also picks up by listening in on their lessons.  As a twelve year old girl, Bethia seems to have an unusual amount of freedom to roam the local area, where she meets a young Wampanoag boy, the son of a local chieftain, whom she names Caleb. The two forge a secret and powerful friendship.  

Caleb later comes to live with her family, along with Joel, another young Wampanoag boy, to study Latin and Greek with Bethia's brother Makepeace in preparation for enrolling at Harvard.  Fate dictates that Bethia, too, go to Cambridge, to work for her keep while her brother studies for the Harvard exam along with Joel and Caleb and other sons of the colonial elite.  Two different suitors are after her hand in marriage; one a farmer from her village and the other a scholar at Harvard, the two offering her very different lives.  Will Bethia make her own destiny?  And how will Joel and Caleb cope with life at Harvard, far from everything they are familiar with from their native civilization?

Bethia's life is dictated to her by the constraints of her time and culture; although she is very bright and craves knowledge so much that she listens in on her brother's lessons so that she may learn Latin, she writes "that I might be literate but not learned was the choice of my father; the lot of a girlchild."  Her life is plagued by many tragedies that were all too common in those days; death of small children, death in childbirth, poverty, and perhaps most of all, by her feeling that she cannot control her own destiny.

Told in the first person by Bethia, this beautifully written and moving story is engrossing from the start; her narrative has an abundance of old-fashioned terms and language that create a distinct sense of time and place yet somehow don't distract from the main story.  Bethia's struggle to define herself in Puritan America and discover her path would make this an appealing story for teenagers as well as adults, although the pacing of the story is somewhat slower than what one would find in a young adult novel.

I have read all of Brooks' other novels and would rate this one as equally outstanding.  Highly recommended for adults and teens looking for some literate historical fiction for the summer!

Reading Brooks' descriptions of 17th century American life, I was struck how Puritan America would definitely be down at the bottom of the list of times I would NOT want to time travel to!  Her descriptions of life in the town of Cambridge were especially vivid and certainly did not make 17th century college life sound very appealing.  It made me remember Colonial House, a PBS reality show in which participants recreated life in 1628 Plimouth.  Leave a comment with a period you would NOT want to visit...

Monday, April 11, 2011

Book Review: The Betrayal of Maggie Blair, by Elizabeth Laird (Houghton Mifflin Harcourt, 2011)

Recommended for ages 12 and up.  


Release date:  April 18, 2011


Witchcraft, whether with a historic or contemporary setting, is a popular subject for young adult novels these days.  British author Elizabeth Laird mines 17th century Scottish history for her engrossing historical fiction novel for teens, The Betrayal of Maggie Blair, published in England last year as The Witching Hour.

Sixteen-year-old Maggie lives with her grandmother in a small Scottish village on the Isle of Bute, both her mother and father having died when she was a small child.  Her grandmother, a scowling, bitter old woman who acts as the village's midwife, believes that she must make the townspeople fear her to survive.  In any era in which everyone believed in the devil without question, it didn't take much to be suspected of being a witch.  When a baby in the village dies mysteriously, the townspeople turn on both her grandmother and herself, charging them with witchcraft, and Maggie must take her chances and flee from the only home and family she has ever known.

She makes her way to a kind uncle and his family, where a different kind of trouble lurks--trouble of a political and religious nature.  Her uncle is a Covenanter--fiercely independent Presbyterians who refused to acknowledge the English king as head of the Presbyterian church in Scotland.  It's a dangerous position, and the king's soldiers are arresting Covenanters and throwing them in prison.  Nonetheless, Maggie thinks she's safe; until Annie, a girl from her village shows up and worms her way into her relatives' affections, with only Maggie realizing that Annie's up to no good.
But even Maggie can't imagine how Annie will betray them all...

I thoroughly enjoyed this novel, which has a more serious thread to it than many of the YA historicals--despite the witchcraft element, there is little of the paranormal or romance in this book.  The religious controversies of the era may not appeal to young readers looking for a light read, but this may appeal to fans of Christian fiction, since the struggle for religious freedom and the lengths people will go to worship as they please are a major theme of this book.  Does a person's true duty lie in serving God or protecting his family?  The author does an excellent job evoking the Scotland of the 17th century, although perhaps using a more contemporary vocabulary  (always a balancing act in historical fiction) with a lot of "lassies" thrown in for local color.  Maggie is a courageous heroine who young girls will be able to root for while following her many adventures and decisions until she chooses her path.

This book was loosely based on the stories of some of the author's own ancestors, a few of whom appear as characters in this novel.  The book shortlisted for the Scottish Book Trust's Royal Mail Award for Scottish Children's Books, in the older readers category.

Other blog reviews:
Musing of a Book Addict
Bitsy Bling
Lisa is Busy Nerding
Never Gonna Grow Up

Disclosure:  Review copy provided by publisher